Category Archives: Manhattan

Asian Pacific American Heritage Month 2015

Well, it’s been awhile since we have last blogged, so let me dust things off a little bit.

And, anyway, around here at triscribe, everyday is APA Heritage Month.

We ended up making it to the 36th Annual Asian American and Pacific Islander Festival in Chinatown on May 3, 2015, although I totally missed seeing FC there. I thought it was smaller than past events, but the performances still had great energy (well, admittedly, I missed the final performance and the late morning/early afternoon ones, but I liked what I saw!). The folks of Asian Cinevision and the Asian American International Film Festival had a presence, and so we each scored our discount for this year’s film festival this summer (we triscribers are committed to that event, of course!). The weather cooperated; beautiful weather!

I got to say: the May temperatures have been nicer and not crazier so far than the weirdo weather of the past couple of months.

One of the really interesting items I saw on the Internet on the eve of APA Heritage Month: a profile on NPR of Brig. Gen. Viet Luong, US Army, on duty in Afghanistan, and reflecting on the parallels of the previous long-running conflict America had (which led to the general’s emigration to America from Vietnam) and the long war against terror. Listening to the profile was also worth it to really appreciate the emotional aspects of what Brig. Gen. Luong experienced and what it means to be an Asian American in public service.

The state of Asian American television: ok, I fell behind on watching “Fresh Off the Boat,” so I might have to binge-watch it at some point. On the bright side, ABC renewed it! Here’s a bit of analysis of the season finale and general commentary of its first season by NPR’s Kat Chow (spoilers there, but I’m a sucker for spoilers).

And, whoa. Two Asian American dominant sitcoms on ABC! ABC has ordered for the 2015 to 2016 season Ken Jeong’s series sitcom, “Dr. Ken”! (h/t Angry Asian Man). Maybe Ken Jeong won’t play an irritating lunatic character for once (his Senor Chang was arguably not that insane in Season 1 of “Community,” I will say, but then Chang got crazier each season, so…).

Unfortunately, FOX has canceled “The Mindy Project” (see here for Entertainment Weekly’s list on canceled shows), although there is a possibility that “The Mindy Project” might still live on in Netflix or other means. I haven’t seen it be considered as an Asian American show despite starring Mindy Kaling (possibly because the show isn’t exactly an Asian-dominant cast and more of a romantic comedy, and it’s more Mindy Kaling-driven than anything else), but it’s worth noting for what it is.

ABC canceled “Selfie,” also not considered an Asian American show, but again probably because it wasn’t Asian-dominant, but worth noting because John Cho got to be the romantic comic lead (honestly a very rare thing). That the show managed to stay on Hulu and apparently did get better by the end of its one season might give hope for something.

And, hey, ABC – don’t give up on the experiment in diverse tv! (well, a message to all the broadcast networks, really).

I meant to put this on triscribe earlier, but had shared this on Facebook awhile back in February, when “Fresh Off the Boat” started: a fascinating item by Kat Chow on NPR about past Asian American shows. A lot of the shows on her list pre-dated my memory of mediocre tv.

In the item, Chow mentioned David Carradine’s “Kung Fu,” but she forgot about Carradine’s “Kung Fu: The Legend Continues,” which was on syndication back in the 1990s. Strangely, neither of the actors who played the descendants of the original Kwai Chang Caine were actual Asian Americans (forget that even the original Kwai Chang Caine, a half-Asian, was played by David Carradine, who played his own descendants on “Kung Fu: The Legend Continues” and, oh, whatever). But, I remembered the “Kung Fu” sequel show was strangely campy, with actor Kim Chan (an actual Asian American) as a Caine family sidekick. Not that I watched “Kung Fu: The Legend Continues” in any consistent way back in the 1990s.

Oh, and I liked that Chow referenced that other 1990s syndicated show: Russell Wong’s “Vanishing Son.” Wong was hot in that show, even if (of course) the plot made no sense (yes, another tv series that I did not consistently watch, but did catch some episodes). I didn’t realize that it got replaced by “Xena: The Warrior Princess,” which transformed 1990s syndicated tv. And, yeah, I probably watched a lot of weird tv back in the 1990s.

Well, a slight disclaimer: I had to check on that wonderful source of info, a.k.a. Wikipedia, to confirm details about “Kung Fu: The Legend Continues.” It wasn’t like I remembered most of that stuff. Honestly, I almost wanted to call the show “Kung Fu: The Next Generation.” Not that I’d compare David Carradine to Patrick Stewart…

On another triscribe note, check out this Tribeca Film Festival review that FC wrote for Meniscus, on the documentary “Steak (R)evolution.” FC had a lot of thoughtful things about the film and the state of steak. Actually, now I’m starting to feel hungry.

Oh well. Back to your regularly scheduled non-blog-related living…

Happy Mother’s Day to all the moms, stepmoms, grandmas, and mom-figures out there!

Taking a Pause to Remember and Reflect

(reposting last year’s post, on this anniversary)

As we have done previously:

Try to remember the kind of September

When life was slow and oh, so mellow.

Try to remember the kind of September

When grass was green and grain was yellow.

-“Try to Remember,” from The Fantasticks.

Another photo I had taken a couple of years ago (maybe last year or two ago?).

 

(I took the photo above at the Brooklyn Promenade, a couple of years ago. That framed picture is still there, do check it out if you’re in the neighborhood. — ssw15).

Summer 2014 – Movie Edition

Oh, my goodness.  How did the summer go by so quickly?  Apologies for the latest unintended hiatus.  I will eventually do a catch up post. Really.  An overall summary of what happened during the hiatus would be worth doing. I think…

As FC noted, Team Triscribe did “The Revisit” as our latest entry in the 72 Hour Film Shootout (theme for this year was “The Color of My Hair,” as we all keep aiming and hoping for more Asian Pacific American representation in front of and behind the cameras).  We did a split Brooklyn-Tokyo thing. It was a pretty cool project, and we made the Top 35, as we learned at this year’s Asian American International Film Festival.

At the film festival, I watched “Fred Ho’s Last Year” (documentary directed by Steven de Castro, a past officer of the Asian American Bar Association of NY (AABANY); Facebook fan page here) and “Awesome Asian Bad Guys” (official site; Facebook fan page here).  In different ways, both presentations made a lot of food for thought about what it meant to be an APA and how APA’s contribute to the performing arts, films, etc.  Fred Ho took a very serious path, facing death with cancer with as much force as possible.  Patrick Epino and Stephen Dypiangco… are hardly civil rights activists, but they gave tribute to the actors and actresses who took the “die in 10 minutes” roles back in the 1970s and 1980s.  Plus, Angry Asian Man’s Phil Yu as producer, and even actors Aaron Takahashi and Randall Park — well, “Awesome Asian Bad Guys” was quite a thing to watch.

The wide range of gravitas and good humor from this year’s Asian American International Film Festival was much appreciated (but wow, did the week’s events just flew by; I didn’t get to watch as much as I had wanted!).

I finally watched “Guardians of the Galaxy” on Sunday.  Fun movie, even if not perfect; it hit all the right emotional points. Probably a whole bunch of comics references went over my head, since I’m not a big Marvel person, but it was fun.

Peter Quill, a.k.a. Star Lord (if only in his own mind), con artist/thief/alien abductee, journeyed to find it in himself to save the galaxy.  Yep, he and the rest of the least likely bunch of people worked together to be the Guardians of the Galaxy (it’s not a spoiler, since it’s in the title).  Actor Chris Pratt has charisma (with good humor and cuteness, not to mention nice abs; yes, I noticed).  He’s more than that guy in “Parks and Recreation” on NBC or “Everwood” on the WB (yes, I’d go that far back).  Oh, and the rest of the cast was also priceless: Zoe Saldana as Gamora, honorable warrior/assassin; Rocket Raccoon, voiced by Bradley Cooper (raucous and emotional); Groot, voiced by Vin Diesel (“I am Groot” – definitely different than his past animated role in “Iron Giant” – but he sure does have a talent for voice work); and even Bautista (WWE wrestler) as Drax, the angry guy who comes from a people who don’t get metaphors.  I can see why this is becoming the “shouldn’t miss” movie of the summer.

Well, there was also “Captain America: The Winter Soldier”  (that came out way earlier, back in April).  That was a grimmer movie, less on the humor (which was there), and way more deeper implications on national security and privacy issues, and impacting a certain tv series called “Agents of SHIELD” considering what happened to the agency SHIELD in the movie.

On a very superficial note, I think actor Chris Evans has a better physique than Chris Pratt, but Evans has done more superhero action roles.  Amusingly, “Captain America: The Winter Soldier” had its own “Everwood” alumnus, Emily VanCamp (most recently on “Revenge” on ABC).

Oh, and Marvel also had “X-Men: Days of Future Past” – almost forgot about that.  It was entertaining.  Time-traveling annoys me, and this movie didn’t convince me about why any of us would want to time travel; but the movie at least fixed the craziness of “X-Men 3″ a.k.a. “X-Men: The Last Stand” (which really did no favors for the character of Cyclops).  Actors James McAvoy and Michael Fassbender were sweetly tragic as young Professor X and Magneto.  The introduction of the character Peter Maximoff, a.k.a., Quicksilver, with a nice joke for the knowledgeable audience about his parentage (i.e., a “Wait, aren’t you Magneto’s… oh….” moment for the viewers).   The bad future remained a scary place, with the unstoppable Sentinels.

The one person who I thought really didn’t get to do more was actor Peter Dinklage, as the inventor of the Sentinels.  Oh, and Hugh Jackman as Wolverine – mmmm. He still had that charisma. I later watched “X-Men: First Class” on tv to get myself caught up.  Overall, First Class and Days of Future Past made me really drool over the cuteness of McAvoy and the hotness of Fassbender; the chemistry between McAvoy and Fassbender almost matched up with the chemistry between Patrick Stewart and Ian McKellen as the older Prof. X and Magneto (notwithstanding that the younger actors do not quite remind me of the older ones).

22 Jump Street” was funny, but not nearly as riotously funny as “21 Jump Street.” Jonah Hill and Channing Tatum return as undercover cops Schmidt and Jenko, going to college, continuing to parody all undercover cop movies.  The plotting somehow still worked, and there was a moral that spring break might be dangerous to your health (for undercover cops and college students).

I also saw “Lucy” this summer.  Scarlet Johannson was not Black Widow like she was in the Captain America/Iron Man/Avengers franchises (seriously, is she going to have her own vehicle as Black Widow?).  No, as Lucy, she was a student abroad, who got caught into becoming a drug mule for Korean mobsters in Taiwan, who were about to spread a drug that permits a drug user to access more brain power (before dying terribly).  Lucy got to access 100% of her brain due to the leakage of the drugs into her system.   Morgan Freeman was the wise scientist who tried to help her (which is turning into a role that he’s been typecasted into doing; he did the same kind of character in “Transcendence,” which I had also watched this spring or summer).  Meanwhile, the Korean mobsters are after her, and the French drug cop sticks around as Lucy’s reminder that she is once human.

Directed by Luc Besson, “Lucy” tries to be everything at once, a meaningful deep soliloquy on humanity and evolution, a crime thriller, a sci-fi movie, and a caper, with lots of blood from the guns and whatever violence (yet strangely not quite an action film), and the hint of a romantic/sensual/sexual tension between Lucy and French drug cop guy – while not really doing well at any of those categories.  Watching the movie, I was generally entertained (even if it didn’t entirely made much sense). Visually arresting, but not exactly mind-blowingly excellent.

I think “mind-blowingly excellent” remains to be truly seen among the movies of 2014, while things have been entertaining enough.  But, Summer 2014, please don’t go yet!